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<span style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important; letter-spacing: 1.8px;">梅日更庙葛根活佛编创的81题诗歌是乌拉特民歌最有影响力的代表作。乌拉特民歌以它起源，形成内容、唱腔、风格与其他民歌截然不同的经典歌曲，流传至今已有三百多年的历史。</span><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important;"/>
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<span style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important; letter-spacing: 1.8px;">乌拉特蒙古族民歌主要流行在四个地区：乌拉特前、中、后旗牧区及包头西部蒙古族居住区，这四个地区的民歌风格各不相同。解放前后，近邻鄂尔多斯民众和东北支边民众大量涌入乌拉特中、后旗，民歌内容和唱腔、旋律等演唱风格随之有所改变，而乌拉特前旗牧区，还完整地保留着古老乌拉特原生态独特民歌风韵。 </span><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important;"/>
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<span style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important; letter-spacing: 1.8px;">乌拉特民歌有长、短调之分，长调民歌（诗歌）在酒席场合很受尊重，如婚礼、祝寿、过节等酒席上什么时候唱什么歌都有很严格的规定，开头歌曲《三福》长调，五组轮回，一组三首，每首歌曲后面加唱“衬歌”，延续整体歌曲的完整性，结尾歌曲《阿拉腾杭盖》诗歌，也是原汁原味的乌拉特民歌最具代表性的特征。 </span><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important;"/>
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<span style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box; overflow-wrap: break-word !important; letter-spacing: 1.8px;">为了保护和传承民族文化，乌拉特前旗文体旅游广电局非遗中心经过收集整理，以MV的形式让大家感受乌拉特民歌的独特魅力。</span>
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